Vi går Butikschefsprogrammet med inriktning mot mode och textil och har valt att utarbetaen affärsidé. Uppsatsens ämne är till viss del redan givet i och med vår utbildning,där arbetet ska ha en inriktning mot detaljhandeln.Idag befinner sig modedesigners på en tuff marknad, där konkurrensen är hård och detkan vara svårt att etablera sig på den svenska modemarknaden. Oetablerade designersefterfrågar därför en tjänst som hjälper dem med arbetet som tillkommer runt designprocessen.Marknadsföring och försäljning av deras alster anser de vara en av de svårastebitarna att själva kunna hantera.il NuovoiiiKlädkedjorna dominerar modemarknaden, men trenden går mot ett allt mer personligtmode, vilket gör att vi anser att det finns en lucka på marknaden. Därför syftar uppsatstill att undersöka om det finns en potential att starta upp en butik i Göteborg, som säljerOetablerade designers alster som bidrar till originalitet och mångfald inom modeindustrin.Den affärsidé vi har utformat grundar sig därför på att vi som ett detaljistföretagska tillhandahålla design från Oetablerade designers och förmedla den till konsument. Vivill på det sättet ta vara på all den talang som finns hos Sveriges modedesignsskolor.

Pre-mastering, populärt men något missvisande kallat mastering, är en process där slutmixen av en låt optimeras för att erbjuda en så pass njutbar lyssning som möjligt för de allra flesta som lyssnar på den aktuella musiken. I denna uppsats har jag föresatt mig att ta reda på om det är meningsfullt för oetablerade artister (demoartister) att anlita någon av de professionella masteringfirmor som finns för att utföra detta, eller om det går att göra med likvärdigt resultat på egen hand. Resultatet visar att de flesta lyssnare tycker att en professionellt mastrad slutmix låter bättre än en hemmagjord mastering. Även om de flesta skivbolagen enligt min undersökning tycker att det är en onödig investering för musiker som söker skivkontrakt så bör professionell mastering ändå anses som ett bra alternativ för oetablerade musiker..

Through a case study at an IT company we have attempted to ascertain how a company's organizational culture affects its designers' way of working. By examining what ?type? of designers the employees are and how this is reflected in their work, we hope to have correctly determined what their organizational culture looks like and thereby have achieved a plausible result in our study.Aside from two interviews with the company's CEO, we also performed eight observations at the company, where we tried to blend in with the employees, to better determine their way of working together.We have found that the designers' trust in their own instincts has led them to rarely act on feedback from clients ? they only pick out the proposals which have a ?mainstream? potential. We have also discovered that their design approach is something they don't feel inclined to discuss amongst themselves. As it is often ?indescribable?, they go with their intuition and unspoken design conventions..

Under 2000-talet har nya tekniska innovationer både förändrat hur musik spelas in,distribueras och konsumeras. Därmed har nya möjligheter skapats för Sverigesoetablerade artister, samtidigt som utbudet blivit större och svårare att tränga igenom.Uppsatsen undersöker vad oetablerade artister har för åsikter om läget idag ochfokuserar kring tre huvudområden; musikutgivning, artistens egen karriär samtmusikbranschen i stort. Med djupintervjuer som metod syftar studien till att undersökavilka problem som står i vägen för en artist som försöker etablera sig och nå ut med sinmusik till en större publik. Studien har visat på att artister nuförtiden mycket enkelt kanspela in och ge ut sin musik vilket skapat en direkt länk till allmänheten. Det är dockmycket svårt att få den uppmärksammad, varför branschkontakter fortfarande värderashögt i artisters ögon.

In the fragmented network economy of toady remote work for creative designers becomes mor eand more prevalent. This is good for a number of reasons. Mainly, creative designers can find work inside and outside of their region irrespective of where they choose to live. However, competing for jobs in a global market is harder, and the online presence of the creatives becomes their main shopping window. We have conducted a study, interviewing digital creatives in Västerbotten.

Syftet med denna uppsats var att analysera hur samspelet såg ut mellan speldesigners och spelprogrammerare samt att analysera hur konflikter hanterades.Denna uppsats var av kvalitativ art och baserades på fyra intervjuer med två designers och två programmerare.Det visade sig att det rådde bra kommunikation på företaget mellan designers och programmerare, men att det är vissa konflikter som ändå fanns kvar. En bidragande orsak till en försämring av samspelet var att designers och programmerare inte kan beskriva varandras arbete.En konflikt som togs upp i arbetet var att designers och programmerare pratar två helt skilda språk. Detta har inneburit att yrket teknikartist har vuxit fram för att länka samman parterna. Teknikartistens intåg i dataspelsbranschen visade sig vara relativt nytt och det kan bli betydelsefullt framöver för att stärka samspelet..

Studien utreder vilka problem som föreligger vid agila- och vattenfallsbaserade utvecklingsmetoder samt presenterar förslag på hur dessa problem kan komma att lösas. För att besvara dessa frågor har djupgående semistrukturerade intervjuer med designers med erfarenheter av metoderna intervjuats. Intervjumaterialet har transkriberats, kodats och analyserats i syfte att kartlägga de problem som finns. I de intervjuer som genomförts med vattenfallsdesigners har det uttryckts problem med att metoden upplevts som långsam, tungdokumenterad och att relationen med utvecklarna ansetts som komplex. De agila designers har uttryckt problem med att mer efterforskning krävts.

The final stage of a designers work is always a bit tricky. Design is an abstract phenomenon and no one can tell when a design is really finished. The design process that designers work within has been thoroughly studied but cannot be truly mapped with strict constraints which the designer can follow to succeed. Therefore, in this paper we take a look at the final stage in the design process. The main goal is to get more knowledge and highlight key factors about what designers face when they are about finish their design or what forces them to leave a project that can stay in development for eternity.

In this bachelor thesis we have studied how interaction designers describe their profession. The research material is based on nine interviews with interaction designers. Questions cover areas such as interaction design tasks, what abilities they consider important, how they describe their relationship to the users, and cooperation with colleagues. We have analyzed the results using key terms such as habitus, field, and capital, as described by sociologist Pierre Bourdieu. The interviewees express humanistic views, and ask for more cooperation between interaction designers, as well as other people within the field of IT production.

The ways designers work with craftsmen in other countries can vary alot,but still there are many similarities. In this study we make comparisonsbetween a number of projects involving three different designers and artisansin other countries and parallel that to our own work in South Africa.What we have seen is that there is some common denominators betweenthe different projects that are being taken care of in different ways.Some things that commonly attract the designers seem to be the skills ofthe craftsmen, as well as their colouring, patterns and materials. A furthercommon denominator in the projects is that people?s perception of qualityhas become an important issue. The products that are being developedare often sold in the country of the designer, and therefore a needto insure that the quality of the products is up to the standards expectedin that certain country has occurred.

This paper examines and summarizes rules, guidelines and methods for how an e-commerce site should be designed, which elements it should contain and where these should be placed. Our approach consists of two phases. First we comprise relevant research within the target area. This is then divided into logical themes and is used as a foundation for an interview guide, which will be used in the second phase. After this, in the second phase, we conduct qualitative interviews with designers that are actively working with design of e--?commerce  sites.

The ways designers work with craftsmen in other countries can vary alot,but still there are many similarities. In this study we make comparisonsbetween a number of projects involving three different designers and artisansin other countries and parallel that to our own work in South Africa.What we have seen is that there is some common denominators betweenthe different projects that are being taken care of in different ways.Some things that commonly attract the designers seem to be the skills ofthe craftsmen, as well as their colouring, patterns and materials. A furthercommon denominator in the projects is that people?s perception of qualityhas become an important issue. The products that are being developedare often sold in the country of the designer, and therefore a needto insure that the quality of the products is up to the standards expectedin that certain country has occurred.

The ways designers work with craftsmen in other countries can vary alot,but still there are many similarities. In this study we make comparisonsbetween a number of projects involving three different designers and artisansin other countries and parallel that to our own work in South Africa.What we have seen is that there is some common denominators betweenthe different projects that are being taken care of in different ways.Some things that commonly attract the designers seem to be the skills ofthe craftsmen, as well as their colouring, patterns and materials. A furthercommon denominator in the projects is that people?s perception of qualityhas become an important issue. The products that are being developedare often sold in the country of the designer, and therefore a needto insure that the quality of the products is up to the standards expectedin that certain country has occurred.

Commissioned for this report is Ramboll, Bridge and Tunnel Unit in Stockholm. Theidea throughout the work has been to primarily help bridge designers compilingadvice and instructions on how fatigue verification for railway bridges in reinforcedconcrete shall be performed under the new rules, the Eurocodes.After the introduction of the Eurocodes in 2011 has major problems emerged amongdesigners around Sweden. In some areas, it differs in the calculation rules comparedwith rules from the Swedish Transport Administration and the National Board ofHousing, Building and Planning calculation. Fatigue verification is one area where thenew calculation rules are different from the past.A large part of the report has been to interpret and find the relevant information inthe Eurocodes concerning fatigue. When questions or doubts have surfaced, this hasbeen discussed with Elisabeth Helsing at the Swedish Transport Administration andbridge designers at Ramboll.The result is a report where the structure is organized in the way that the bridgedesigners can move from cover to cover and realize that fatigue verification in realityfollows the same order as the report's sections.

Today we can create digital 3D models which can be realised almost instantly through production methods such as 3D printing and computer controlled milling.What if this same technology could be applied to the development and construction of terrain parks?With snow as the material tools could be developed using similar principles to design and sculpt the surface, only on a larger scale.How would terrain park designers adapt their process to use this new technology? In this Industrial design thesis I explore how the ideas of the terrain park designer can be expressed through such a system with focus on the designers knowledge and skill without the need to learn complicated 3D programs.Sketch, create, ride. .